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Bach: Sonatas a Flauto, Violino e Basso /Marq, Hantai, et al

Bach: Sonatas a Flauto, Violino e Basso /Marq, Hantai, et al Classical

ACCENT WF Bach: Flute Duets / Kuijken, Hantai

WF Bach: Flute Duets / Kuijken, Hantai

PIERRE HANTAI

Pierre Hantai COUPERIN:PIECES DE CLAVECIN

Jerome Hantai MARIAS/FORQUERAY/COUPERIN:VIOLIN

Serine Proteases and Their Serpin Inhibitors in the Nervous System: Regulation in Development and in Degenerative and Malignant Disease

by NATO Advanced Research Workshop on Regulation of Extravascular Fibrino, Barry W. Festoff, Daniel Hantai

Naruto DUB ending theme

The DUB ending to Naruto

Naruto DUB ending theme

The DUB ending to Naruto

2. Telemann: Sonata in A minor for flute & oboe

Stereo: http://br.youtube.com/watch?v=QwN6WKt... Georg Philipp Telemann (1681 - 1767). Sonata in A minor for flute & oboe. III. Andante Grazioso. Le concert Français. Sébastian Marq (Flute) Alfredo Bernardini (Oboe). Dir. Pierre Hantai.

1. Frescobaldi: Toccata settima

Stereo: http://uk.youtube.com/watch?v=cKwRUlA... Girolamo Frescobaldi (1583 - 1643). 1. Toccata settima. Pierre Hantai (Harpsichord). The majority of Frescobaldi's extant output consists of keyboard music. His renowned prowess at the keyboard earned him several important international students, such as Johann Jacob Froberger, who composed pieces highly reminiscent of Frescobaldi's. The Fiori Musicali and the two books of Toccatas and Partitas are his most important keyboard works. His two books of Toccatas and Partitas are written in copper-engraved keyboard tablature for the harpsichord or organ, and were published between 1615 and 1637. Both books open with a set of twelve toccatas written in a flamboyant improvisatory style and alternating fast-note runs or passaggi with more intimate and meditative parts, called affetti, plus short bursts of contrapuntal imitation. In these toccatas, Frescobaldi makes ample use of sharp, unprepared dissonances and other harmonies daring for the time, as well as of virtuosic techniques that make some of these pieces challenging even for modern performers - such as his Toccata IX of Book II, which he himself labeled with the words "Not without toil will you get to the end." Besides the toccatas, these books feature partitas on popular motives and basses of the time, as well as 6 canzoni, dances, hymns and other compositions such as the Cento Partite Sopra Passachagli, one of his most virtuosic and experimental works. These two books are prefaced by Frescobaldi's own advice on interpretation, where the composer articulates the "theory of musical affections" prevalent at the time.

3. Telemann: Sonata in A minor for flute & oboe

Stereo: http://br.youtube.com/watch?v=IepTv15... Georg Philipp Telemann (1681 - 1767). Sonata in A minor for flute & oboe. IV. Allegro. Le concert Français. Sébastian Marq (Flute) Alfredo Bernardini (Oboe). Dir. Pierre Hantai.

1. Telemann: Sonata in A minor for flute & oboe

Stereo: http://br.youtube.com/watch?v=eJ4KwIH... Georg Philipp Telemann (1681 - 1767). Sonata in A minor for flute & oboe. I. Largo. II. Allegro. Le concert Français. Sébastian Marq (Flute) Alfredo Bernardini (Oboe). Dir. Pierre Hantai.

2. Frescobaldi: Balleto e Ciaccona

Stereo: http://uk.youtube.com/watch?v=NNyV9fA... Girolamo Frescobaldi (1583 - 1643). 1. Balleto e Ciaccona. Pierre Hantai (Harpsichord). The majority of Frescobaldi's extant output consists of keyboard music. His renowned prowess at the keyboard earned him several important international students, such as Johann Jacob Froberger, who composed pieces highly reminiscent of Frescobaldi's. The Fiori Musicali and the two books of Toccatas and Partitas are his most important keyboard works. His two books of Toccatas and Partitas are written in copper-engraved keyboard tablature for the harpsichord or organ, and were published between 1615 and 1637. Both books open with a set of twelve toccatas written in a flamboyant improvisatory style and alternating fast-note runs or passaggi with more intimate and meditative parts, called affetti, plus short bursts of contrapuntal imitation. In these toccatas, Frescobaldi makes ample use of sharp, unprepared dissonances and other harmonies daring for the time, as well as of virtuosic techniques that make some of these pieces challenging even for modern performers - such as his Toccata IX of Book II, which he himself labeled with the words "Not without toil will you get to the end." Besides the toccatas, these books feature partitas on popular motives and basses of the time, as well as 6 canzoni, dances, hymns and other compositions such as the Cento Partite Sopra Passachagli, one of his most virtuosic and experimental works. These two books are prefaced by Frescobaldi's own advice on interpretation, where the composer articulates the "theory of musical affections" prevalent at the time.

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